The Nikon Z 14-24mm F2.8 S completes the company's Z-mount trinity of bright, high-quality zooms. Alongside the Nikkor Z 24-70mm F2.8 S and Nikkor Z 70-200mm F2.8 VR S, Nikonians can now zoom from a 14mm wide-angle to a 200mm telephoto with no gaps in coverage and with a bright F2.8 maximum aperture throughout. At 35mm results on the edge are very soft at f/2.8, and don’t sharpen to perfection until f/8. At 50mm, corner sharpness is very good except at f/2.8 and (to a lesser extent) at f/4. At 70mm, corner sharpness is outstanding from f/22 to f/8, acceptable at f/5.6 and f/4 and soft wide open.
Hands-on with Nikon Z 70-200mm F2.8 S. Nikon's just-announced Z 70-200mm F2.8 S looks like a powerful option for Z-series photographers, joining the Z 24-70mm F2.8 S as the second part in Nikon's 'holy trinity' of F2.8 zooms for Z mount. We got our hands on an early working sample at CES.
We paired the NIKKOR Z 24-70mm f2.8 S with a Nikon Z7 running the latest version 2.0 firmware, and the lens acquired focus reasonably quickly. It is generally accurate throughout most of the
Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Price: $2200 What I Liked. Sigma 24-70mm f/2.8 DG OS HSM Art Lens Price: $1300 I feel this review was basically one of aesthetics and which felt
さらに、憧れのNIKKOR Z 24-70mm f/2.8 Sに比べると3割ほど軽く、価格は半分以下！ F2.8通しのレンズというと「大きくて重い」イメージがありますが、このレンズは驚きの軽さで、普段使いの鞄の隙間に入れて持ち歩ける大きさです。
First, the 24-120mm f/4 S is a bigger lens than the 24-70mm f/4 S. For casual walk-around use, that does tend to make a bit of difference. I found myself having to watch from bumping the front of the lens into things while walking about, particularly if I had left it in the telephoto extended position. nEjb.
